mark rowden

Images

With or without a camera...

I spent twenty-five years of art directing numerous professional photographers, before having any thought of becoming one myself. I considered myself a producer of images. My main occupation was designing identities for organisations and their products.

But then I wanted something more, a more personal involvment in creating the kind of photographic imagery that appeals to me. Several months into a year's sabbatical in France (I recommend it, as if you need encouraging), and under no pressure other than to do as I pleased (well, except write my forthcoming new book) I found myself obsessing about photographic style. This wasn't strickly what I was supposed to be doing. But it was too late: the passion wouldn't let me go.

"I believe that photographs should be simple technically, and easy to look at. They shouldn't be directed at other photographers; their point is to make ordinary people react – to laugh, or to see something they hadn't taken in before, or to be touched."
Lord Snowdon

And I agree. Good photography, like good design, works when our eyes pass 'through' it – we don't 'see' the manipulation, because our focus is already captured by the way the subject has been presented. I believe a good photograph never appears contrived or staged, and that it celebrates what appears to be natural. Such images heal us, instruct our better self, incite joy and provoke higher thoughts.

I found myself taking both sides of the digital versus film divide, until I realised that it is for the most part irrelevant. Good or bad, digital or film can achieve either. However, I do hold firm opinions about artificial retouching and the computer leading the weaker of those amongst us. I prefer natural light, and the improvised, but I am not against studio lighting where its presence doesn't advertise itself.

"Technique undoubtedly helps make photography magical, but I prefer to work with atmosphere. I think that the obsession with technique is a male thing. Boy's toys. They love playing... but once you've perfected something you have to start searching for a new toy. I would rather search for a new model or location."
Ellen von Unwerth

And there's a girl if ever there was one. But seriously, technique should never be so vulgar as to advertise itself. The technical is merely a means towards what is art. Is photography an art? Yes, I believe it can be, and I also believe that the artful photograph is more important than the photographer, the image being the one that must speak first. As for photographers in general – and, please, let us forget money for a moment – I believe that the best are those who see, with or without a camera, and who give of themselves – make the picture rather than simply take the picture.

swimming underwater

Three images relating to water – first, fun by the pool in Normandy:

Cley Mermaid

... then the question as to whether mermaids truly do exist on Cley beach in north Norfolk...

water works in paris

... and, last but not least, a man with few inhibitions in Paris... though of course the Paris shot wasn't quite that. Please allow me to expain:

... but then again, it's sort of obvious isn't it? Though obviously not to the gentleman in question. It's 'des jardin Tuileries', and as you can see from the short shadow under his seat, it was exactly midday. The sun above was so hot I was in the process of scurrying from one haven of rare shade to the next; seriously perspiring and dehydrating too. But here he was, brazen under the same sun, arms behind his head and feet crossed – quite the showman in his own modest way. I felt a bit guilty getting up close and trying to get the right angle, but I was of no interest to him. He was busy doing nothing. I was the one busy doing something. It was me that shot and ran.